How Belva Lockwood Got Me Thinking About Overlooked Women in History

Once upon a time I was young.  No, honestly.  Then as now I was a history nerd—big time.  In fact (trivia alert), I was the first member of my graduating class to declare a major in history.  Anyway, one day the younger me was given a postcard by her Woman’s History professor.  A postcard showing the black and white image of Belva Lockwood.  This image as a matter of fact.

It took me a while to discover the importance of this gift, delivered, as I remember it, with no real explanation beyond the mild-mannered comment, “I thought you might like this.”  With age and distance I now realize my professor gave me the postcard to galvanize me to action; to make me angry—not at him but at the way history was taught and who got left out.  You see Belva Lockwood was the first woman to have her name on the ballot for President of the United States (yes, I know Victoria Woodhull “ran” but her name did not appear on official ballots and votes for her were never tallied).  She was also the first woman to be admitted to practice before the Supreme Court (though mind you she had to write to President Grant just to get the law diploma she’d earned and it took an act of Congress to see her admitted before the High Court).  But I’d never heard of her.

That DID make me angry, and it also made me think.  Just what does a woman have to do to be noticed, historically speaking?  Give birth to a King?  Have her head chopped off?  How can that be when there were so many women throughout history who did so much more?  Even today, Belva remains only the tip of the “over-looked” iceberg.  And because we continue to under-represent women in history and underestimate their activities readers—both of non-fiction history and historical fiction—often think writers get it WRONG when they accurately report what historical female characters did.

I recently saw an example of this in a book review.  A reviewer took Author X to task because her female main-character pressed her right to rule her own territories.  “How dare the author suggest,” and I am paraphrasing here, “that a woman in the Middle Ages would assert such authority, or would even have the desire to rule in her own right!”  The reviewer went on to castigate Author X for imposing modern feminist ideas on long dead women.  But the truth is plenty of women held territory (and titles) in their own right during the time period of the author’s book.  The reviewer was just wrong—likely because he/she had never heard of such women.  I remember wondering what said reviewer would make of the fact that my main characters’ uncle, Thomas of Savoy, was Count of Flanders only by marriage and lost that title when his wife died and her title passed to her SISTER.  My guess is the particular reviewer would think that bit of history was made-up, feminist-revisionism as well.

It is time to recognize, as consumers of history and historical fiction, that women have filled many, varied, roles throughout the centuries—even if we haven’t always heard about them.  Some women did extra-ordinary things with those roles (e.g. just like male rulers, some female rulers were better at it than others), but the fact women held such roles wasn’t, in and of itself, necessarily as extraordinary as modern audiences seem to think.  In each period of history we need to look at the specific facts rather than relying on broad assumptions.  For example, to assume things were necessarily better for women later in history than they were earlier is to incorrectly posit a linear progression in women’s rights and opportunities.

I am happy to say that, imo, there’s a lot of really wonderful historical fiction celebrating women who have been historically overlooked these days.  There are also fabulous books that examine “big name” historical women in new ways—as more than “ornaments of royal courts” or “mothers of kings.”  Personally, I am very interested in telling the stories of women who are more obscure than they deserve to be.  Probably because of that darned postcard.  When I stumbled upon a footnote in a history of Notre Dame de Paris about Marguerite of Provence (her image is carved over Notre Dame’s Portal Rouge) and her sisters I had a Belva Lockwood moment.  Clearly these young women (all of whom made significant political marriages) were celebrities of the High Middle Ages.  Marguerite and Eleanor were the queens of France andEngland for heaven’s sake!  Yet I had never heard of them.  I made up my mind right then to tell their story.

I wish Professor T was alive today.  I’d send him a copy of my book and I’d put the Belva Lockwood postcard in it—as an excellent bookmark and a thank you of sorts.

For The First Time Ever You Can WIN a Copy of The Sister Queens

I am pleased to announce that my wonderful publisher (have I mentioned lately how much I love them?) is making twenty-five (yes! 25) copies of  The Sister Queens available for a giveaway over at Goodreads!  The contest started today (November 3rd) and runs to December 3rd.

So if you are one of the folks who (so kindly) have told me that you just cannot wait for my debut to hit shelves in March, now is your chance to score a copy before the novel’s release date.  Make that a free copy – which is even better right?

If any of the lucky winners are readers of this blog I will throw in a little something extra.  Use the contact form at my author website to send me the good news (plus your address) and I will mail you a signed bookplate to put inside your copy.

Best of luck!

Happy Reformation Day — Martin Luther Costume Optional

It’s NOT just Halloween today, it’s Reformation Day.  In honor of Martin Luther’s actions in 1517 I’d like to share one of my all time favorite historical videos – The 95 Theses Rap.

When I wrote the ninety-five haters straight up assailed them, now they only care whether or not I nailed em or mailed em.

They just DON’T write lyrics like that anymore 🙂  Except perhaps at Yale, whose students created this marvel.

 

A Sneak Peek Inside the Vatican Library

Instead of something funny this Friday, I offer you something FABULOUS!

I don’t know where I was when this piece originally aired on CBS’s 60 Minutes (oh yes, now I remember, doing final editorial revisions on my novel) but I am thrilled to have discovered it and to share it with you.  The video segment offers a marvelous glimpse into the Vatican Library, a storehouse of innumerable treasures of Western Civilization (and I DO mean innumerable –turns out no one can definitively list every book, map etc that is in the library).

I wonder how Henry VIII would feel about the Pope possessing some of his love letters to Anne Boleyn.  My guess—he wouldn’t be thrilled—but I was thrilled to see them, even if it was only on my computers screen.

Enjoy your twelve minute tour of the Pope’s private library.

A Treasure Trove of Medieval and Renaissance Manuscripts Goes Digital

Lovers of Medieval and Renaissance Manuscripts rejoice (I am certainly celebrating)! The University of Pennsylvania, with funding from the National Endowment for the Humanities, has finished digitizing a significant number of its rare Medieval and Renaissance manuscripts so that researchers and history-junkies alike can peruse them from the comfort of their own homes.

While the Rare Book and Manuscript Library on the sixth floor of Van Pelt Library includes over 2,000 pre-19th century western manuscripts, the on-line collection – called ““Penn in Hand: Selected Manuscripts” – currently offers access to facsimiles of just over 1,400 documents. I’ve checked out the site – in fact I’ve just finished enjoying a 1566 letter from Charles IX of France to his ambassador at the Spanish court of Phillip II – and there are many convenient ways to browse and search the manuscripts, including by year, by language and by author.

So what are you waiting for? You KNOW you want to look.

Historical Hairdos, a 1932 Look at Tresses Past

This short film is a fascinating historical find in two senses. Made in 1932 it is itself a piece of history. And it portrays a range of hairstyles from earlier historical periods– all filtered through the lens of the era of the marcel wave I am sure.

My favorite look? Without a doubt “The Gibson Girl of the naughty nineties.”

CROWNING GLORIES!

They’ve Got Authors Covered – Design Departments Not Writers Create Book Covers

Have you ever walked into a bookstore, picked up a historical novel set in renaissance Italy and thought “my goodness WHAT is this headless woman on the cover wearing?  Her gown is SO obviously Tudor!”  Yeah, me too.  And here’s the thing, before I started writing historical fiction I might have drawn some erroneous conclusions based on such a book cover.

First, I might have concluded that “author X” hadn’t done her research or just didn’t care that her cover model was wearing a gown from the wrong period.  Since becoming an author I’ve learned that this is probably not the case.  Shall I tell you a secret?  Authors have VERY limited influence on the covers of their books.

I am NOT saying that good publishers don’t seek author input before holding a cover conference.  My editor asked me for examples of existing covers that I loved as well as examples of covers I didn’t like.  She encouraged me to explain why I felt as I did.  She also asked me to collect images from fine art imbued with the feeling I wanted my cover to have, and to submit descriptions and pictures of what my 13th century sisters might have worn.

What I AM saying is my cover was still a big surprise when I saw it.  So if you LOVE the cover of The Sister Queens, I am glad but, please, give credit where it is due.  I did not create the cover painting (you should be thankful for this – profoundly thankful), the cover artist did.  And folks in the design department picked that gorgeous lettering.  So send your warm and fuzzy thoughts (or compliments) their way.  And if you HATE the cover of my book (or any author’s book) please spare me a note upbraiding me.

This leads me to the second flawed conclusion I might have drawn back in my “fan-but-not-a-writer” days: covers exist to accurately portray a period of history, or a scene from a book.  Nope.  Sorry.  Some covers may do those things, but covers in general are designed for one reason and one reason alone – to sell books. This is precisely why authors don’t (and probably shouldn’t) design them.

I never viewed covers as sales tools until I signed my book contract.  But believe me once you have a book coming out selling books is foremost in your mind.  I want to sell books, and more than that, I want to sell books to people who are not ME.   Therefore, what I would personally like to see on the cover of my book runs a distant second to what a majority of book-buying, cash-carrying potential readers will find attractive.  And the truth is I am not in a position to predict what will catch the eye of the average book buyer.  I am not trained to do that, nor have I conducted studies or otherwise made it my business to keep my fingers on the pulse of such things. The folks in my publisher’s art and design departments, on the other hand, ARE in a position to predict what will make a reader reach out and lift The Sister Queens off a table full of books all looking for a home.  They have been designing covers for years.  That’s why design departments and not authors get the final say over what book covers looks like.

Perhaps the folks designing the cover for a historical novel know that a certain color gown makes books jump off the shelf and into readers’ hands, so they use that color even if it may not be precisely “period.”  They might even (gasp) put Tudor gowns on non-Tudor-era women because books about Tudors sell like hotcakes and they are hoping to entice readers of Tudor historical fiction to pick up, and ultimately try, something new.  Who can say?  As an author I certainly can’t.  And as a reader I am now careful to examine covers with a different eye than I did in my pre-writing days—I may still judge the book by its cover, but I no longer judge that book’s author.

Authors are in the business of writing books, design and art departments are in the business of covering them.

Mr. Darcy: Freestyle Disco Champion of All Derbyshire

Here is a touch of historical humor as we head into the weekend.  Those of us on the east coast in particular could use a little levity as Irene bears down on us with all her predicted damage and inconvenience.  So have a laugh or two before the power goes out.  I do believe Jane Austen herself would get a chuckle out of this one.



 



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